constant emotional mess.

Writer living in Brooklyn
who likes fall vegetables, shoeless afternoons
and is frequently inspired by Kate Moss.

my father’s story.

This weekend, my 94 year old Grandad died. My father texted me from Portland, told me it was important and to call, and I knew. I knew right away. I said out loud to B, He’s going to tell me Grandad died. And I was so stoic about it. I said, aloud, again, He lived a really rad life. But as soon as I got on the phone with my father, I cried. And I didn’t stop for a long time. 

I’m not ready to write about it. But I will be, I think, soon. Because my papa is also a writer and he taught me the therapeutic nature of it as soon as I could hold a pen. He wrote this story about my Grandad in 2006. It’s even better today.

image

What I Really Wanted To Give My Dad Was Not Mine To Give

By Jonathan Nicholas

His tie is tightly knotted, the same slim four-in-hand he taught me when I turned 11. The shoes are shined, the shirt is ironed, its barrel cuffs shot to show.

My dad may be dapper, but at age 86 he’s not the kind of guy to waste a full 50 cents on parking. So he waits beside the car, watching as I step from the train and walk the windswept platform, trailing the bag that brings the Father’s Day gift I’m hauling from Portland. It’s a model locomotive much like the one, his childhood toy, he gave me years ago.

We smile. We shake hands. Then, in an unspoken rite of passage, he hands me the keys to his car. With a left hand long idled by New World driving, I fumble for the gear stick as he reaches over to turn on the wipers. It’s raining as we pull out of the station. It’s always raining in Wales.

Thick mists infest these sheep-strewn hills, occasionally gathering themselves into clouds of purpose, hurtling down-valley in hard, sharp showers. It’s at the head of one of these valleys, clad in wool and wistfulness, that my dad lives in one of Britain’s sorriest towns.

Merthyr Tydfil long was known as the place with air so dirty that women wouldn’t hang out their washing to dry. Today, it’s less celebrated for its coal than for its civic sadness. Downtown, half the buildings are shuttered. The local diet, long dominated by fish and chips, has new staples: heroin and Ritalin. Along the worn gray ribbons of row houses, burglar alarms all but outsell beer. Rain washes the sidewalks but never gets them clean.

My father’s response to this civic situation is to grow flowers. His specialty is geraniums. Best he can recall, around 1966 he ordered two dozen starts. He hasn’t bought one since. Each fall, from fading flowers, he harvests cuttings, incubates them, nurtures and coddles them by the hundred. He undertakes this task in his kitchen, where the plants pass the winter graduating through an ascending series of pots of perlite and peat, every countertop crowded with potential.

Come spring, my dad places these plants in his garden and, as the production line has expanded, around his neighborhood. With the artful network of elevated pots and raised beds, he has no problem. But he no longer likes stooping to trowel the ground. So I go home to help. I could get everything planted in a couple of days. But, through almost 40 years of this, my dad has developed a system. It’s a ritualistic, labor-intensive, chronically choreographed routine that tries my patience. Slowly, too slowly, I’ve come to realize that, for a fellow widowed for almost four decades who has spent half his life exploring the territory between solitude and loneliness, efficiency is the least of life’s priorities.

The purpose is the doing, not the getting done.

And so, at last, I’ve learned to savor the sylvan, sensuous quality of my dad’s days. All through the spring, as mornings warm and night frosts linger, he carries his hundreds of flowerpots up and down the garden path, sun to shade to shelter. He waters only with pure rain, harvested in barrels and poured by hand.

A few weeks back, on the third day of my visit, my dad finally entrusts me with the first 50 geraniums. At his workbench, he carefully taps out each, cradling it with soil-stained thumbs before handing it to me. In the garden, I bend and burrow until each plant is firmed and settled. Then I stake and tie, prune and pretty, as my dad’s desired “higgedly-piggedly” pattern of color takes shape across the yard.

It’s late May, and Welsh spring is well under way. No more lingering at the breakfast table, slacking with the tabloids. By 7 a.m., my dad, wearing shirt and tie as he does each day, every day, whether to meet the mayor or the manure truck, is ready for action. We dig, we plant, we water, we hoe. Then we pause and eat meat pies.

As we work on through the long afternoon, lawn bowlers heading for the nearby green stop to chat over the garden fence. Women half his age flirt with my dad. They trade seedlings, rhubarb tarts and gossip. In the evening, over the hedge, I hear the bowlers gathering, their conversation punctuated by the thwick and thwack of wooden balls caroming across the damp grass. They play until someone, anyone, suggests a beer. And off they troop into the club’s damp-smelling parlor, where my dad joins men he’s known since school days. And the ale flows warm and flat, and oft-told tales get repeated, night after comforting night.

As darkness falls, all the youngsters get sent home, save one, the barmaid. In between pours, she works on her high school homework, charting her escape.

On Father’s Day, a son is supposed to give something to his dad. The model train, a lovely 1955 Lionel, was a token. For what I really wanted to give my Dad was not mine to give. What a dad wants, what a dad deserves, is a sense of place in the world, a sense of a life well-lived, a sense of a job well done. It’s something so many of us try to create for our parents, often in communities of our own imagining. And it’s something so many of us imperil, as we work to tear our parents from their lives and haul them, often as reluctant guests, into our own.

Too few dads savor the security my father has created for himself with his garden and his bowling green. Too many sons are too mobile, too ambitious, too keen to stretch our connections across vast spaces. Too many Father’s Day greetings are exchanged over a phone than a flowerpot.

Just before supper - Caerphilly cheese and pickled onions - I slip away to the distant bottom of the garden to renew battle with the blackberries. A 20-year infestation long has blocked any hope of access to the far corner of the lot. I hack, I heave, I curse. After finally clearing a tunnel, I set steppingstones, thus opening an all-but-hidden walkway around the perimeter of the garden. My dad, watching from the window, seems dubious, even after I assure him his great-grandchildren will love this secret passage. Later, as I’m sitting inside, gazing on the garden, I catch him all alone, out there with the moon. Warily he places his weight on each stone, testing it. Maybe the boy has some use after all?

Our last morning together, over tea and marmaladen toast, in an uncharacteristic burst of conversation, he thanks me for all that I’ve done. The challenge of the garden, building all winter, has been met. The husbanding of hundreds of seedlings has not, after all, been in vain. He swears he’ll never bother again. “No,” I say, not believing it for an instant. “Too much work.”

On the ride to the railway station, we pass the new Wal-Mart risen on the ridge over Merthyr Tydfil. The modern world is coming to Wales. My dad seems to have outrun it. For a moment, in the parking lot, we stand awkwardly together. It’s the same spot where, 30 years ago, he slipped $200 into my pocket and sent me off to America. Just as he did then, he hurries. He shakes my hand, the grip firm but fleeting. “I’ll be taking cuttings from those geraniums in October,” he says. “I could just tell you how I do it,” he says. “But geraniums are funny. Better, you come home and I’ll show you how it’s done.”

BOSTON BEGINNINGS

The first time I went to Boston, I had just turned 18. I took the 6 train to Chinatown and stretched out in a double seat on the Fung Wah bus. I was reading Extremely Loud and Incredibly Close and even though it was so new and that kind of fiction felt so modern to me, I was too excited for my first fall break to focus on the text.

M & N met me at the bus stop in Boston. My two best friends, a freckled dancer and a flame haired boy, had both been accepted to BU and it wasn’t up until that point, seeing them with their coat collars pulled up, just the same, that I became utterly jealous and second guessed myself for choosing Sarah Lawrence over childhood friendships.

We walked up Commonwealth in a line of three. M lived in a beautiful brownstone, her window looking out over the Charles. N lived high up in new dorm tower; his Chinese roommate bragged about how he was having his favorite car shipped over. That night, we went out in a big group. A girl who looked nothing like me passed back her fake ID that looked nothing like her and we ordered 40s of Mickey’s that were served in paper bags. I remember thinking, $7 for a 40? Where I come from, these are free ninety nine, and feeling very out of place in a wonderful West Coast sort of way. Later, drunk, M lit me a cigarette (a drug I was just starting to experiment with) and N came up behind me, snatched it from between my lips, snapped it in half, and told me it was a dirty habit. I was livid, but I got over it quickly, because that’s what we do. Ironically, 8 years later, N is the only one who still smokes.

Three days later, on the bus ride back, I drew a portrait of myself in my journal (a sketch I am still particularly proud of) and finished Extremely Loud and Incredibly Close as I rode into the city, sobbing.

One of my funniest friends Dan asked me why I hadn’t released my debut disc yet. Guys, be patient, genius shit like this takes tiempo. While you wait, a sneak peek at the album art. <3 ma fans. xx tk

One of my funniest friends Dan asked me why I hadn’t released my debut disc yet. Guys, be patient, genius shit like this takes tiempo. While you wait, a sneak peek at the album art. <3 ma fans. xx tk

&#8220;In front of me, girls were entering and exiting the showers. […] Moving through the humid air, I felt like a snorkeler. On I came, kicking my heavy, padded legs and gaping through the goalie mask at the fantastic underwater life all around me. Sea anemones sprouted from between my classmates’ legs. They came in all colors, black, brown, electric yellow, vivid red. Higher up, their breasts bobbed like jellyfish, softly pulsing, tipped with stinging pink. Everything was waving in the current, feeding on microscopic plankton, growing bigger by the minute. The shy, plump girls were like sea lions, lurking in the depths.&#8220; Jeffrey Eugenides, Middlesex.

Like some people have favorite foods, I have comfort places. Shotgun in a swiftly moving sedan. Tucked in to the hand-me-down comforter in my Brooklyn bedroom. But, most uniquely maybe, my favorite comfort spot is deep under the ocean. When I first learned to scuba, it felt like I was finding the fish that had been within me all along. A sloppy fish, one with weak fins and zero sense of direction, one that can’t swim very well at all but, still, a fucking fish, one that breathes better under water than they would anywhere else. Breathing with the bony creatures pushed me in to a different world – one where each creature played a part as important as in any high school drama.
When I was in Mexico in December, I got to scuba for the first time in too long. Off the coast of Cozumel, the current was so strong that it didn’t even matter that I wasn’t a great swimmer – I simply descended and the current pushed me north along the continental shelf. I was carried past pairs of cliquey angel fish, sports team sized groups of grouper, solitary spotted rays whose wings moved up and down like ushering hall monitors. Suddenly, the back of my tank was tugged. I was spun around to face my guide who pulled me down into the reef to point out a shy moray eel, a six foot long loner, hiding from the herds. Yes, the ocean is just like a high school, I thought, but nicer, because here, no one talks bad behind your back. Stay in your comfort spot, Mister Moray, I whispered into my mask.

Months later, reading Middlesex, I learned, that like so many of my most cherished ideas, that I was not the first person to draw this comparison. 

In front of me, girls were entering and exiting the showers. […] Moving through the humid air, I felt like a snorkeler. On I came, kicking my heavy, padded legs and gaping through the goalie mask at the fantastic underwater life all around me. Sea anemones sprouted from between my classmates’ legs. They came in all colors, black, brown, electric yellow, vivid red. Higher up, their breasts bobbed like jellyfish, softly pulsing, tipped with stinging pink. Everything was waving in the current, feeding on microscopic plankton, growing bigger by the minute. The shy, plump girls were like sea lions, lurking in the depths.“ Jeffrey Eugenides, Middlesex.

Like some people have favorite foods, I have comfort places. Shotgun in a swiftly moving sedan. Tucked in to the hand-me-down comforter in my Brooklyn bedroom. But, most uniquely maybe, my favorite comfort spot is deep under the ocean. When I first learned to scuba, it felt like I was finding the fish that had been within me all along. A sloppy fish, one with weak fins and zero sense of direction, one that can’t swim very well at all but, still, a fucking fish, one that breathes better under water than they would anywhere else. Breathing with the bony creatures pushed me in to a different world – one where each creature played a part as important as in any high school drama.

When I was in Mexico in December, I got to scuba for the first time in too long. Off the coast of Cozumel, the current was so strong that it didn’t even matter that I wasn’t a great swimmer – I simply descended and the current pushed me north along the continental shelf. I was carried past pairs of cliquey angel fish, sports team sized groups of grouper, solitary spotted rays whose wings moved up and down like ushering hall monitors. Suddenly, the back of my tank was tugged. I was spun around to face my guide who pulled me down into the reef to point out a shy moray eel, a six foot long loner, hiding from the herds. Yes, the ocean is just like a high school, I thought, but nicer, because here, no one talks bad behind your back. Stay in your comfort spot, Mister Moray, I whispered into my mask.

Months later, reading Middlesex, I learned, that like so many of my most cherished ideas, that I was not the first person to draw this comparison. 

Marina Abramovic and Ulay started an intense love story in the 70s, performing art out of the van they lived in. When they felt the relationship had run its course, they decided to walk the Great Wall of China, each from one end, meeting for one last big hug in the middle and never seeing each other again.

At her 2010 MoMa retrospective Marina performed ‘The Artist Is Present’ as part of the show, where she shared a minute of silence with each stranger who sat in front of her. Ulay arrived without her knowing and this is what happened.”

This video, sent to me by one of my best friends, hit me so hard. Isn’t it funny the way that the people who love you most can know exactly what you’re wanting, needing, without having to be told?

Tea For Two, Two For Tea

A few Sundays ago, B and I left the steam heat of our Crown Heights apartment to find brunch. It was sunny enough to skip the subway but cold enough that we linked fingers inside of B’s deep jacket pocket. I was determined to bypass out go-to’s and find a new place that would become the next favorite. Why that morning was the morning I chose to not demand the eggs florentine from The Spot, I’m not sure. It might have had something to do with the fact that B and I had fought the night before. About what exactly, now, I can’t remember, so I hope that means it wasn’t important. (Of course, at the time of the fight, it was very important. Life or death important. But after 12 hours of sleep and waking up with his ass smashed into my stomach, nothing is as important as loving each other unconditionally and infinitely.) After an argument, I’m filled with a need to hit the backspace button. Re-fresh the session, re-start the relationship. It seemed important that we find a new place to drink new things. No memories, just experiences. 

B and I walked through Prospect Heights to Vanderbilt Ave. We stopped at a tiny grey building with hand painted lettering on the windows. The hostess, a large woman wearing her hair in two braids, just like I was at the time, said it would be a wait. So B and I went next door to a used book store and paged through a coffee table book from the 90’s about the architecture of the Mexican Mayas. (We thought about our trip to Mexico, months ago, when we had been incurably giddy with travel - and each other - for ten days. Choosing to remember the best moments instead of the more recent rough ones.) B’s stomach grumbled loud enough to hear and we went back to the tiny grey building with the beautiful typeface and were seated in a back corner by a window. 

Feeling nauseous from hunger, I passed on my usual order of coffee and requested earl grey instead. Our waitress, who was dressed in head-to-toe denim and looked a bit like Camilla Belle, returned with a white tea pot and matching milk jar. B sipped an expensive glass of orange juice. We traded sips for sips. The tea reminded me of Wales, where my paternal Grandfather still lives. When I stay there, I sleep in my Aunt Pat’s old room, and no matter when I wake up, the middle of the night or pass noon, my Grandad is at the kitchen table with a hot pot of tea. (This, like the fact that I have never seen him without a perfectly knotted tie, remains a mysteriously magical part of my father’s life.) I took that tea in that little Brooklyn cafe very seriously. Here I was, deliberately trying to not remember memories, and here was this tea, reminding me that the past ain’t going anywhere. I’m not sure I learned a lesson, seeing as B and I have argued since and, of course, will again. But I haven’t stopped drinking earl grey since. And I’ve been trying to remember the simple word that my cousin Nora wears permanently on her wrist. NOW. Not so much remembering, not a lot of planning, just being. So far, it’s really hard. But I’m trying.

Soul mates. They really call themselves that, which makes sense, because I guess they are. They have no harsh edges with each other, no spiny conflicts, they ride through life like conjoined jellyfish - expanding and contracting instinctively, filling each other’s spaces liquidly. Making it look easy, the soul mate thing.

—Gillian Flynn, Gone Girl. 

Judith. Look at this. Look at us. Look at how happy we were. How much feeling we had in our tiny hands, our bony chests. This was taken the first night of our senior year of college. The night that we moved in together. The night that changed my life forever, the night you became my sister. This is the night that started the year that made me, really made me. We were in Slonim House at a keg party. How did that party not get broken up by the campus police? How is it possible they didn&#8217;t hear us screaming, bellowing how much we adored each other? Screeching along to Paper Planes? How many times did we listen to that song together that night? One zillion?
Judith, you&#8217;re wearing my dress! My blue cotton dress I bought at an Oxfam in London. That night, you put it on and I said, Take it forever, it&#8217;s yours, because it looked so much more lovely on you, with your burnt sienna hair. And see that shirt I&#8217;m wearing? It was yours. I loved that shirt. You said, Take it forever, it makes me look like a farmer. We&#8217;re still complimenting each other by being self-deprecating.
Judith, this is the night you broke your wrist. The night you crawled down Mead Way, drunk and crying, your bones sticking out of your skin. This is the night I slept in your bed with you, wrapped in your childhood comforter, fed you silver dollar shaped hash browns from Pondfield Cafe. 
Judith, this is the night I told you that I hated your boyfriend. I&#8217;m sorry for that. I didn&#8217;t. I was just jealous. Also, I&#8217;m sorry that I left a lit joint on the edge of the couch and burned a hole in the cushion and never told you. That wasn&#8217;t this night but it&#8217;s still something I&#8217;m sorry for. I&#8217;ll spend the rest of my life writing about you to make up for it. Judith, you&#8217;re my muse. 

Judith. Look at this. Look at us. Look at how happy we were. How much feeling we had in our tiny hands, our bony chests. This was taken the first night of our senior year of college. The night that we moved in together. The night that changed my life forever, the night you became my sister. This is the night that started the year that made me, really made me. We were in Slonim House at a keg party. How did that party not get broken up by the campus police? How is it possible they didn’t hear us screaming, bellowing how much we adored each other? Screeching along to Paper Planes? How many times did we listen to that song together that night? One zillion?

Judith, you’re wearing my dress! My blue cotton dress I bought at an Oxfam in London. That night, you put it on and I said, Take it forever, it’s yours, because it looked so much more lovely on you, with your burnt sienna hair. And see that shirt I’m wearing? It was yours. I loved that shirt. You said, Take it forever, it makes me look like a farmer. We’re still complimenting each other by being self-deprecating.

Judith, this is the night you broke your wrist. The night you crawled down Mead Way, drunk and crying, your bones sticking out of your skin. This is the night I slept in your bed with you, wrapped in your childhood comforter, fed you silver dollar shaped hash browns from Pondfield Cafe. 

Judith, this is the night I told you that I hated your boyfriend. I’m sorry for that. I didn’t. I was just jealous. Also, I’m sorry that I left a lit joint on the edge of the couch and burned a hole in the cushion and never told you. That wasn’t this night but it’s still something I’m sorry for. I’ll spend the rest of my life writing about you to make up for it. Judith, you’re my muse. 

Recently, I&#8217;ve been reveling in the joy that is the lady date. It&#8217;s not that I don&#8217;t love my boys as well - I&#8217;ve had a few really fun sleepovers with Tyler lately&#8230; sleepovers that start with shared 40oz bottles and end ogglying the bus boy at Egg over breakfast&#8230; and coming home each night to share the couch and cookie butter with my main man fills me with so much sweet sugared love I might be turning diabetic - but there&#8217;s something very important about recognizing that these boys won&#8217;t ever feel the feelings of unruly and inherent feminine rage that churns inside of me louder and more fiercely as the weather continues to get colder and colder. For that kind of empathy, I turn to the tits.
Before Christmas, Rachel and I spent a night drinking whiskey out of a flask in Chelsea, twerking like we would never stop to Iggy Azalea at the Highline Ballroom. An inspiring woman in her own right, Iggy made Rach and I forget about the icy air and rough work week with her rhymes. We rode the subway home together and then bought tickets to see another lady performer together next month.
To celebrate a New Years Eve birthday, Claire and Brianna and I shared fried seafood and mango juice at a communal table in Greenwich Village. We lit a ball of fried ice cream on fire while twenty Thai teenagers screamed the Happy Birthday song and laughed so hard I thought my appendix would bust like Madeline&#8217;s.
This week, I met with Jordan and Jessica, and we talked about how we all shared the same New Years resolution (to travel more) and that the two J&#8217;s are sharing an eerily similar story line in their love lives. That moment of No way, you too? was, perhaps, the epitome of what I&#8217;m trying to say here: I&#8217;m having a No way, you too? moment with every woman in the world.
Tonight, Chelsea and Alli and I will get sweaty in a yoga studio - where I will be put to shame by the two girls who actually practice - before counteracting the health benefits by sharing pizza and too much wine. There are a lot of terrible things about being me right now. But being a woman isn&#8217;t one of them.

Recently, I’ve been reveling in the joy that is the lady date. It’s not that I don’t love my boys as well - I’ve had a few really fun sleepovers with Tyler lately… sleepovers that start with shared 40oz bottles and end ogglying the bus boy at Egg over breakfast… and coming home each night to share the couch and cookie butter with my main man fills me with so much sweet sugared love I might be turning diabetic - but there’s something very important about recognizing that these boys won’t ever feel the feelings of unruly and inherent feminine rage that churns inside of me louder and more fiercely as the weather continues to get colder and colder. For that kind of empathy, I turn to the tits.

Before Christmas, Rachel and I spent a night drinking whiskey out of a flask in Chelsea, twerking like we would never stop to Iggy Azalea at the Highline Ballroom. An inspiring woman in her own right, Iggy made Rach and I forget about the icy air and rough work week with her rhymes. We rode the subway home together and then bought tickets to see another lady performer together next month.

To celebrate a New Years Eve birthday, Claire and Brianna and I shared fried seafood and mango juice at a communal table in Greenwich Village. We lit a ball of fried ice cream on fire while twenty Thai teenagers screamed the Happy Birthday song and laughed so hard I thought my appendix would bust like Madeline’s.

This week, I met with Jordan and Jessica, and we talked about how we all shared the same New Years resolution (to travel more) and that the two J’s are sharing an eerily similar story line in their love lives. That moment of No way, you too? was, perhaps, the epitome of what I’m trying to say here: I’m having a No way, you too? moment with every woman in the world.

Tonight, Chelsea and Alli and I will get sweaty in a yoga studio - where I will be put to shame by the two girls who actually practice - before counteracting the health benefits by sharing pizza and too much wine. There are a lot of terrible things about being me right now. But being a woman isn’t one of them.

MOTTO OF THE MONTH. MEOW.

MOTTO OF THE MONTH. MEOW.